Based on Eberhard Streul's prop revue, Lajos Parti Nagy wrote a Hungarian play about a great moment, a theatrical evening, of a theatrical prop.
József Bieder does his thing after the performance, cleans up the empty stage, and looking up finds himself facing an audience, a full house at that. At first he is startled, not knowing how to resolve this unusual, almost surreal situation, but in the end he is ecstatic. This former assistant actor, this eternal background man, begins to tell stories about his life, which is the theater, and about the theater, which is his life. In what may not be his first, but probably his last “performance”, he uses all his skills, experience and imagination to enchant and entertain everyone he sees in the audience. All the private numbers, all the productions are, of course, about him. The crying, the laughter, the whole evening in the performance of András Kern, directed by Ilan Eldad – the man who staged Six Weeks, Six Dances and Life as Such.
Joint performance of the Vígszínház and the Orlai Production Company
Performed by: András Kern
Writer: Eberhard Streul
Adapted to the Hungarian stage by: Lajos Parti Nagy
Prepared by: Péter Deres
Dramaturge: Zsuzsa Radnóti
Set designer: Árpád Iványi
Director's assistant: Ilona Putnoki
Production assistant: Katalin Fenyvesi
Director: Ilan Eldad
Producer: Tibor Orlai
Performance length: 1 hour 30 minutes (in one part)